CBS预订Ted Humphrey开发的《群策群力 Wisdom of the Crowd》，这是根据一部同名以色列剧所改篇。故事讲述一个科技界的创新者Jeffrey Tanner（Jeremy Piven饰），他发明了一种最前卫﹑群众外包式的应用，用来解决 她女儿的谋杀案，并且在旧金山的犯罪问题上进行改革。Natalie Tena饰演女主Sara，与Jeffrey Tanner一同合作推出及管理全新应用CrowdSolver。 　　Richard T. Jones饰演警探Cavanaugh，他在调查案件时用的是传统风格，被招揽进Jeffrey Tanner的CrowdSolver团队，不过他亦因此得习惯用高科技解决问题的新方式。Blake Lee将饰演酷宅男气息的Josh，是Jeffrey Tanner的新解决犯罪应用CrowdSolver的首席程序员。Jake Matthews饰演Tariq，他是个天才骇客，道德理念模糊，因为他故意骇入CrowdSolver，而让Jeffrey知道他的存在。Monica Potter饰演Jeffrey前妻Alex，在政治上大展拳脚的她，正小心避免让前夫与她的联系影响到政治生涯。

CBS预订Ted Humphrey开发的《群策群力 Wisdom of the Crowd》，这是根据一部同名以色列剧所改篇。故事讲述一个科技界的创新者Jeffrey Tanner（Jeremy Piven饰），他发明了一种最前卫﹑群众外包式的应用，用来解决 她女儿的谋杀案，并且在旧金山的犯罪问题上进行改革。Natalie Tena饰演女主Sara，与Jeffrey Tanner一同合作推出及管理全新应用CrowdSolver。 　　Richard T. Jones饰演警探Cavanaugh，他在调查案件时用的是传统风格，被招揽进Jeffrey Tanner的CrowdSolver团队，不过他亦因此得习惯用高科技解决问题的新方式。Blake Lee将饰演酷宅男气息的Josh，是Jeffrey Tanner的新解决犯罪应用CrowdSolver的首席程序员。Jake Matthews饰演Tariq，他是个天才骇客，道德理念模糊，因为他故意骇入CrowdSolver，而让Jeffrey知道他的存在。Monica Potter饰演Jeffrey前妻Alex，在政治上大展拳脚的她，正小心避免让前夫与她的联系影响到政治生涯。

近期，天凡市越來越多民眾被捲入一股負面能量，而他們的共同點是帶著同款耳機，隱藏在城市角落。傳說中的特務局派出菜鳥張育勝以及健強和俐廷兩位資深隊員前往偵查。隨著案件的調查，真相逐漸浮出水面 ......。

七個來自不同背景，育有二至六歲的幼兒家庭，經常為子女行為問題頭痛，在超級奶爸幫助下，利用不打不罵的方式，使家長掌握正向管教方法。

Community of Parting traces a different approach to borders, translation, and artistic expression by invoking the ancient shamanic myth of the Abandoned Princess Bari and engaging female Korean shamanism as an ethics and aesthetics of memory and mutual recognition across time and space. 　　Rooted in oral storytelling and embodied by female shamans, the myth about Bari and her abandonment at birth for being born a girl has been mainly understood as a story of filial piety. However, Kaisen frames the myth as an initial story of gender transgression that transcends division logics but has the experience of othering and loss at its core. According to the myth, Bari regains the community’s acceptance after reviving the dead and is offered half the Kingdom. Yet, the heroine refuses to abide by human borders and chooses instead to become the goddess who mediates at the threshold of the living and the dead. This is what distinguishes the myth of the abandoned from other Korean myths about women. 　　Community of Parting derives from Kaisen’s extensive research into Korean shamanism since 2011 and her long-term engagement with communities effected by war and division. The piece is composed of imagery filmed in locations such as Jeju Island, the DMZ, South Korea, North Korea, Kazakhstan, Japan, China, the United States, and Germany. Combining shamanic ritual performances, nature -and cityscapes, archival material, aerial imagery, poetry, voiceover, and soundscapes, the piece is configured as a multi-scalar, non-linear, and layered montage loosely framed around Bari’s multiple deaths. 　　Both inter-subjective and deeply personal, Kaisen treats the myth of the abandoned as a gendered tale of migration, marginalization, and resilience told from a multi-vocal site. In the shamanic ritual the shaman abandons herself to mediate and gathers an assembly of the living, the dead, and multiple spirits witnesses. In a similar vein, a Community of Parting is formed in the piece around the shared sentiment of the abandoned: Ritual performances and chants by shaman Koh Sunahn, a survivor of the 1948 Jeju Massacre in South Korea constitutes a recurring rhythm and culminates in a ritual for the dead that involves the artist. The myth is also reflected in the poetry of Swedish poet Mara Lee and in the poetics of Kim Hyesoon from whose book ‘Woman, I Do Poetry’ the translated title Community of Parting derives. It further resonates in various narratives by South Korean, North Korean, and diasporic women who negotiate how gender bias along with colonialism, modernity, and war have resulted in radical ruptures while unfinished histories continue to linger. 　　Infused by the living, the dead, and those yet to come, Community of Parting is actualized through a process of dissolution, revival, and becoming. Informed by shamanic practice, properties integral to the filmic medium are employed to contest and diffuse spatiotemporal boundaries and hierarchies of knowledge and being. Doing so, Community of Parting proposes other ways of thinking and being with others, including the relationship to nature and other life-forms.

《漫威：超級英雄王國》描述擁有超過70年歷史的漫威漫畫，旗下有著數不清膾炙人口的角色，但由於1993年美國漫畫市場面臨大崩盤，讓漫威的漫畫銷量一下慘跌70%，加上投資策略屢屢失利，漫威終於在1996年宣告破產，幸賴旗下玩具公司老闆艾維艾拉德出手搭救，才讓漫威倖免於難。

三名身为高中对手的同性恋者，每日都在对抗欺凌、处理家庭问题以及与自尊问题作斗争。他们对认可的渴望引发了一连串危险事件，还导致了严重后果。

『週刊漫画ゴラク』に連載中の立原あゆみのコミックを映像化したヤクザ映画。極道の道に足を踏み入れつつもヤクザになりきれない主人公を「日本黒社会…」の北村一輝が好演。度胸はないが、女性の心を開かせる魅力で組内でも一目置かれているチンピラ、修。組を逃げ出したい組長の愛人に助けを求められ、彼の心は忠誠心と良心の狭間で揺れ動き……。

三个同性恋高中对手每天都在与欺凌、家庭和自尊作斗争。他们对验证的追求引发了一系列危险事件，并带来了严重后果。

以习近平总书记在党史学习教育动员大会上重要讲话，提及的十四种伟大精神为为主题内容，以“电视剧集汇编+演播厅（外景地）明星嘉宾讲述”作为节目的主要形态构成。十四种精神，每种精神分上下两集，每天连播两集，每集45分钟。